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A visual identity starts with a story

A visual identity starts with a story

A blank canvas is useful because it asks for a decision. Before choosing a typeface or drawing a mark, it helps to name the story the identity needs to tell. What is its character? What should someone notice first? Which details make it different from the things around it?

These questions keep a design process grounded. A visual reference can suggest a mood, but a clear idea gives that mood a purpose. Without that idea, a collection of attractive colours and images may feel convincing on a presentation board and uncertain everywhere else.

Find the idea that holds things together

A useful starting point is a short sentence. It does not need to be a slogan or polished copy. It is a working description of the character the design should express. Words such as quiet, generous, playful or raw become more useful when they are connected to a particular story.

From there, visual decisions can be tested against the same idea. Does the lettering support it? Do the illustrations bring something to it? Does the material feel as considered as the mark printed on top? The aim is not to make every element say the same thing, but to make the elements belong to one another.

Let the story reach beyond the logo

The logo is one part of the experience. A menu, a bottle label, a sign and a small digital image each offer another chance to express the identity. Thinking about those situations early can reveal what the visual language is missing.

A botanical idea, for example, might appear in the movement of an illustration, the grain of a material or the spacing around a wordmark. Repeating the same picture everywhere is only one possibility. A richer system allows the central idea to take different forms.

Keep room for a little discovery

Starting with a story does not mean deciding every outcome in advance. Sketching and making still matter. An unexpected line or a promising arrangement can sharpen the original thought. The story is a point of orientation, giving experimentation something meaningful to return to.

When the different parts finally feel connected, an identity becomes easier to recognise and more interesting to spend time with. The canvas is no longer blank, but the first question still holds it together.

About Flo
Florencia Evangeline

Surabaya, Indonesia

Florencia
Evangeline.

Art direction, visual identity
& illustration.

I shape visual identities through stories, thoughtful details and illustration, finding a visual language for each project.

Selected experience

2023-2026Pable
Freelance Graphic Designer, then Art Director

2024Artnivora
Graphic Designer

2020-2023Stoik Trisula
Intern through to Senior Visual Artist

2021-2022Orasis Art Space
Graphic Designer

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